2008年9月

在London读书的时侯,还处于与室友Share三室一厅Flat阶段, 没有太多银子可以经常性光顾那些我爱的奢侈品。于是在米国稍微有了点Revenue,我便理所当然当家做主,伴随我的是那些与Wine同行的日子。

White Zinfandel是我一开始的爱。我喜欢叫她“仙”。这个叫法轻盈、别致、又通透。好的Zin在我心目中确实是如此。加州的Dry Creek 产区是全世界最适合Zinfandel种植的地方,其实看上去乖巧甜美的仙,并不如想象中随和,气侯方面既要够温暖又不能过热,晚间还要有足够的凉气让果实充分释放香味。

在超市买酒我总是要被查ID看年龄,但我仍然很执着。喜欢那种给我粉红心情的甜蜜滋味。有时侯傍晚的晴空有一抹晚霞,坐在屋顶上喝一口Zin, 再Spray一些香水在空气里,如粉尘般妖妖娆娆撒下来,最好是Gucci的Eau de Parfum,有香橙花、柑橘、黑加伦子的气息,嗅一嗅,完全配合我的粉红仙。这种时侯,你会感觉与她的交流是没有障碍的。

而空闲的时侯我也会独自开车(这样的时侯并不多见),穿过George Town童话般的Villa,驶过Potomac River 上的大桥,在Northern Virginia国家公墓附近有熏衣草和不知名粉黄小花朵的地方一个人坐一下午,开一瓶175ml的Zin,那里的空气很鲜,那里的阳光很暖。最后伸个懒腰要回家的时侯,落日光线还没有暗,夕阳被揉碎了撒进每个路人的眼睛里,闪烁着舒适宜人的光彩。擦身而过又冲我笑笑,我想那时他们眼中的我也是一样的自信臃懒洒脱微笑着的。

一个人的旅行,就是站起来就走,不需要回头

甩甩马尾辫,我自顾自美丽

 

 

 

昨天一记者友人去采访凯歌香槟酒VCP公司,邀我同去。凯歌的总部离我家不远,听说会品尝静酒,我也就却而不恭,欣然前往了。

所谓的静酒,也就是还没有进行第二次瓶中发酵的葡萄酒。这些葡萄酒是分crus以及葡萄品种来单独压榨酿制的,他们是用来酿香槟的基酒。一般来说,一个村庄就是一个crus,香槟地区一共拥有312个村庄,其中17个顶级村庄(Grands Crus)50个一级村庄(1er Crus),以及224个一般村庄。记得CIVC主席曾经这么说过,基酒就象是画画所需要的颜色,拥有的越多,内容就会越丰富。一般香槟农的BS(无年份香槟)是由少于10种不同的crus调和而成,而凯歌香槟酒的黄牌则是由6070种不同的crus调和而成,自然让我很感兴趣。

品静酒的机会不多,这几年我也只品尝过酩悦,SalmonPalmer等几个比较大型香槟酒公司的静酒。可惜的是这位友人行色匆匆,我们就简单的品尝了四款最具代表性的:2007 Pinot Meunie 2007 Pinot Noir2007 Chardonnay,第四款是调和好的黄牌香槟静酒,拥有60多种不同等级的Crus,第五款则是黄牌香槟。这几款静酒都是来自于2007年,香槟区乏善可陈的一年,凯歌选择了不酿年份酒。酒精度都是11度,在瓶内起泡后会再增加一度。特殊的地方是,这几瓶白葡萄酒里都有单宁。

2007 Pinot
Meunier - Saint Thierry 2007 (87% )闻起来很开放,水果香浓郁,尤其是苹果和白桃的香味明显。Pinot Meunier是很招摇的葡萄,但是不适合陈年,时间稍长他的个性就会慢慢消失。所以一般不会选择他来勾兑需要陈年的香槟。象凯歌就没有或极少用他来勾兑Millesime以及Reserve

2007 Pinot Noir -
Verzy 2007 (100%)verzy是顶级cru,位于山丘地段,朝东北面。很有力度的酒,酸度感觉明显要比较高(其实酿酒师告诉我这几款静酒的酸度是一致的,由于单宁的缘故,有的会显得更酸)。明显的矿物质的清新感,熏烤味,来自于这个地段的风土条件。闻起来比Pinot Meunier要含蓄很多,更优雅,感觉还很封闭,需要更长时间才能释放自己。入口有“黏”住口腔的醇厚感,有特殊的咸味,骨架突出,尾香更长。

2007 Chardonnay -
Mesnil 2007 (100%)闻起来有reduit紧缩,封闭感,带来一丝奇怪的洋葱和大蒜的味道。过两分钟后才打开,再闻就有熏烤,奶油,香草和椰丝的香味。

2007
黄牌香槟基酒

由来自于62个不同crus的三种葡萄静酒调和而成,加入了29%vin de reserve (陈酒)。这么大量的陈酒,在香槟地区也是比较少见的。温起来有很浓郁的奶油,烤面包的香味,这就是陈酒带来的效果,实在是该赞。虽然只是新酒,还处于基本的水果香以及花香阶段,但是陈酒将其掩饰得恰到好处,盲品的话,甚至可以和陈年了4年以上的香槟媲美。入口醇厚,但是感觉很分散,可能是调和时间不长。

黄牌香槟

气泡轻盈细腻,很有爆发力。在基酒中找到的特点香槟里也得到保存,尤其是将近1/3的陈酒带来的特殊的焦糖,烤面包的香味突出。绵绵的气泡也掩盖了其酸度过于突出的不足。

 

Those of us who read articles about wine probably believe that wine sells on the basis of its quality. A few wine lovers believe that price is at least as important. (I strongly reject any direct correlation between price and quality myself, believing there is an army of overpriced expensive wines and a noble cohort of underpriced gems.)
 
But my trip to China last March reminded me just how significant branding can be, even in the hugely fragmented wine market which is blissfully unlike, say, that for beer, spirits or sodas, dominated as they are by a handful of big names and huge marketing budgets.
 
In China the name Lafite has the most extraordinary and unexpected resonance. Such resonance that Carruades de Lafite, the Bordeaux first growth’s second wine and often a thin little thing, can command a higher price than super-second Ch Cos d’Estournel. And the owners of Lafite’s range of basic Bordeaux generic wines called Légende sell for quite extraordinary prices in China simply because they have the magic word Lafite on the label. I saw their basic AC Bordeaux 2005, with the word Lafite tucked snugly under the Lafite Rothschilds’ famous five arrows symbol, listed at 950 RMB (about £70) a bottle on the wine list at the super-trendy Made in China restaurant in the Grand Hyatt, Beijing. It’s worth pointing out that on exactly the same wine list the counterpart from the other Rothschild clan, the Mouton lot, was just 350 RMB. What explains the disparity between these wines that were put together from near-identical ingredients bought on Bordeaux’s bulk wine market?
 
While in China I resolved to get to the bottom of this conundrum. Why should one first growth tower over the others, Mouton-Rothschild, Margaux, the highly performing Latour and Haut-Brion, in this particular market?
 
I suppose we have got to begin by acknowledging that China is an intensely image-conscious market. And for the Chinese, wine purchases, in restaurants or for gifts, are all about status and ‘face’ on the part of the purchaser. So China is presumably perfectly placed as a target for any sophisticated branding operation. If you go in to China and tell the Chinese that your product is the best effectively enough, those 1.3 billion potential consumers are presumably yours.
 
Except that my enquiries did not manage to elicit anything so cold-blooded. I went to China via Hong Kong so began by enquiring there why Lafite enjoyed this reclame. Those I asked were all a bit vague. The best explanation I could get was from the first Asian to pass the notoriously difficult Master of Wine exams, Jeannie Cho Lee, herself Korean born and American educated. Her best explanation was that Lafite is somehow easier to pronounce in Mandarin than the names of the other first growths. But since she is not a native Mandarin speaker, I felt her testimony was not rock solid.
 
Once I got to China I asked everyone I could think of. Marcus Ford, the inventive manager of Shanghai’s pioneering M on the Bund restaurant, also thought it might have something to with pronunciation but wasn’t sure – even though he has been buying, serving and selling fine wine in China for many years. He did point out to me that Lafite had been awfully clever at capitalising on their fame in China and that the Légende range of overpriced (my word, not his) generics is known colloquially as ‘Little Lafite’. Genius! They should have called it that in the first place.
 
In China the market is dominated by three main distributors, at each others’ throats. The biggest and best established is ASC, run by a father and son team, both of whom are called Don St Pierre. I sat next to Don Sr at a charity dinner and pursued him relentlessly for his explanation as to why his great rivals Summergate’s Lafite was so much more popular than his own Bordeaux first growths Châteaux Latour, Margaux and Haut-Brion – which was rather impolite, I now realise. He raised his shoulders and eyebrows, clasped his hands and admitted he hadn’t a clue. Though as a westerner selling wine to the Chinese for possibly longer than anyone else, he did point out how helpful the 1855 classification was to the Chinese. Not being fluent English speakers, few of them have yet got to grips with the tyranny of scores and ratings, but there is great respect (an important quality in China) for the longevity of the 1855 classification of Bordeaux. With its mere five divisions it is easy to understand, and since Château Lafite was historically the very first of the first growths to appear on the list, much of that glamour, he admitted somewhat reluctantly, seems to have stuck.  
 
I then tracked down Ian Ford, the American head of Summergate of Shanghai, the blessed importers of a few hundred cases of Château Lafite, an impressive lake of Carruades and an ocean of Little Lafite every year. So how come, I asked, does Lafite stand head and shoulders above its peers in the biggest potential wine market in the world?
 
“I don’t know,” he said disarmingly. “It’s a branding exercise but I certainly don’t take the credit for it. It’s not because of the taste.”
 
I would certainly agree with this. I almost certainly love the taste of Lafite more than the average Chinese. Its very dry, almost austere, racy, elegant style must be particularly difficult for newcomers to wine, and torture to drink with most of the food served in China – whether it be the sweet, sour, spicy foods of the various Chinese provinces, or the rich, truffle and foie gras-laden cuisine of the fancy hotels and restaurants at which most bottles of Lafite must be opened by China’s mushrooming millionaire class.
 
“But,” he continued, “they were in at the beginning. Lafite president Christophe Salin’s first trip here was in 1992. The word Lafite translates phonetically especially well,” [so there’s one thing that he agrees with arch rivals ASC on] “and the Lafite Rothschilds have been very attentive to the Chinese market. Baron Eric de Rothschild’s son is studying Mandarin. They also have a very good Chinese website.”  
 
So, there you have it folks. To develop a new market, get there first, have an easy name – and don’t forget the website.

Sophie Liu--GlobusWine品酒讲堂()

学做高雅的“香槟人士”

 

社交场所,您希望把自己塑造成手持香槟,谈吐高雅的“香槟人士”吗?

请跟着Sophie Liu学一招香槟课程,在轻松有趣的课堂中提高对法国顶级香槟的鉴赏品味,让自己成为一个名副其实的“香槟人士”吧!

 

主  题

内   容

费  用

附  注

香 槟

“香槟”一词的含义,传统香槟的制作流程和工艺,香槟区的地理地貌,如何看懂香槟的酒标?几款小产量却有个性的顶级香槟介绍和品鉴

280/人

讲解和品鉴结合的方式,欢迎自由提问。

香槟人士课堂选用的都是阁乐葡(Globus Wine)的顶级香槟:

l         Rene Geoffroy Brut “Expression” Premier Cru NV

l         Tarlant Brut Tradition NV

l         Varnier Fanniere Brut Grand Cru NV

l         Pierre Gimonnet et Fils Premier Cru Brut NV

l         Egly-Ouriet Brut “Tradition” Grand Cru NV

>>>>

时间:9月4日(周四),晚7:00-9:00

上课地点: 阁乐葡建国西路店(尚街Loft创意园内),建国西路283号5号楼101-103室,近嘉善路。

价格:280元

报名:因场地有限,本次品鉴限12人参加,请大家欲报从速

电话:(86)5466 0723  电邮:loft@globuswine.com

Saint Joseph 地区考察 () –探访Bernard Gripa 酒庄

品尝这么多的葡萄酒,很少碰到能让我们感情澎湃,激动,难忘的酒。就算遇到一些酿造手法严谨,无可挑剔的好喝的酒,由于每个人的口感和敏感度不一样,所以对同一款酒的体会就不一样,也会有意见不同的时候。当不管专业人士还是爱好者们都为同一款酒而“疯狂”的时候,我们就遇到了一款“伟大的酒”。Bernard Gripa 就是这款酒。

记得新加坡的著名评酒师庄布忠先生对于评酒制度有个新颖和实用的建议,他觉得应该将所有的酒同时放在餐桌上,用餐结束后,喝光的那一瓶就是最受欢迎的葡萄酒。我们这里暂时不谈论这个制度的不足点,从一到达Tain Hermitage,午餐时我们品尝的12款白葡萄酒中,Bernard Gripa 的Saint Joseph就脱颖而出。不仅喝光了,而且还开了第二瓶,这应该能说明些什么。

从规格上来说,Bernard Gripa酒庄顶多就是一个农场。传统的家族式企业,如果没有人带路从外观上来看,绝对不知道是个酒庄。酒庄的主人Gripa先生顶是30来岁,不善言词,我们一行的到来明显让他有些窘迫,所以他二话不说,马上将我们带到地窖品酒。酒窖里已经准备好了24款来自于全地区最具代表性的Saint Joseph红葡萄酒。我在品尝到第17款后就决定洗手不干了。不怕被人笑话,今天连续品尝了35款葡萄酒之后,我决定让自己的味蕾稍适休息。待会还要拿Bernard Gripa的酒开刀,不得不保留点实力。

新一轮的品尝结束以后,我们在地窖里品尝了7款直接从橡木桶里取出的2007年Gripa先生的新酒。为什么Gripa先生的酒会让我记忆那么的深刻?同样典雅的酒其实也不少,但是他的酒在做到优雅细腻,醇厚但又不缺乏骨架的同时,还有其他的东西,一条贯穿的主线。从入口到余香,都无法让人忽视。这条主线就是葡萄酒的精神,他是独特的,连贯的,自我的。其他的酒我不感保证,但是如果进行一次盲品,我相信绝对可以找出Gripa酒庄的酒。

气氛早已经被葡萄酒给溶解了,Gripa先生不仅开始侃侃而谈,更是拿出了珍藏的2002年,2000年,1998年,1996年和1985年的Saint Joseph 以及Saint Peray白葡萄酒。

这里要写下所有的品酒记录会有些累赘,我将50多款品酒记录(包括之后的Chapoutier横向品尝) 稍做整理后再发表,感兴趣的朋友们请关注。